Asian Market Battle Action Anime

High-density action in a theatrical anime style. Color: Color grading based on a cold, greenish teal. Saturation and brightness are suppressed overall, excluding pure colors. Shadows are not crushed to black but sink into a greenish gray. Saturation exists only in the amber exposed light bulbs of the food stalls and the sparks scattered at the moment of destruction. Diffuse light of a cloudy day, a humid atmosphere. No BGM, no dialogue, with ambient sounds. Field of view similar to a 24mm F1.4 wide-angle lens in full-frame equivalent. # Constraints Do not make it monotonous by changing the field of view, angle, focal length, and camera height in every cut. Apply variation to the length of the cuts. Cuts marked as 'instant insert' should be extremely short. Do not display characters, subtitles, or logos within the screen. The road surface is wet and reflecting light. Do not use fade-outs. The video must always completely fill all four corners of the screen; do not draw circular black frames or dark borders. The shopkeepers must always be in the shadows away from the fight and not involved in the combat at all. # Direction Specification (Most important, common to all cuts) Left-right placement: Character A on the left of the screen, Character B on the right. Orientation: Character A always faces right. Character B always faces left. The camera always shoots from the same side of the line connecting the two, and this left-right relationship must be absolutely maintained in all cuts. Do not swap left and right in any cut. # Characters ## Character A @Image1 ## Character B @Image2 ## Shopkeepers 2-3 elderly shopkeepers in the market. In aprons. Located in shadows away from the fight. # Scene Character B walks and closes in on Character A, who is standing in the market just before closing. While the shopkeepers watch hidden in the shadows, the battle between the two destroys various shops one after another, Character A breaks the flow with steam from a restaurant and turns the tables by deploying onto the roof. (Followed by 14 detailed cut descriptions including telephoto compression, macro inserts, ultra-wide low angles, and slow-motion impact scenes.)